1990
1990
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Lacking almost any dialogue, the film is shown as Jarman’s own subjective musings, which are tempered by the reality of his own mortality—when HIV-positive Jarman made the film he was facing death from AIDS. Jarman reads a moving elegy to lost friends at the film’s end.
The film follows a seemingly innocent and loving gay couple whose idealistic existence is interrupted when they are arrested, severely humiliated, tortured and killed. In between this are nonlinear images of religious iconography — a Madonna who is overexposed and harassed by paparazzi in balaclavas; a Jesus who painfully watches the world pass him by; a Judas who is hanged and used as a tool to advertise credit cards; and water dropping from an image of Christ on the crucifix. Other images include the Twelve Apostles as 12 women in babushkas, sitting at a table by the seaside as they run their fingers around the edges of wine glasses to create an ominous hum.
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