Mike Leigh

Mike Leigh OBE FRSL (born 20 February 1943) is an English film and theatre director, screenwriter and playwright. He studied at the Royal Academy of Dramatic Art (RADA) and further at the Camberwell School of Art, the Central School of Art and Design and the London School of Film Technique. He began his career as a theatre director and playwright in the mid-1960s, before transitioning to making televised plays and films for BBC Television in the 1970s and ’80s. Leigh is known for his lengthy rehearsal and improvisation techniques with actors to build characters and narrative for his films. His purpose is to capture reality and present “emotional, subjective, intuitive, instinctive, vulnerable films.” His films and stage plays, according to critic Michael Coveney, “comprise a distinctive, homogenous body of work which stands comparison with anyone’s in the British theatre and cinema over the same period.”

Leigh’s most notable works include the black comedy-drama Naked (1993), for which he won the Best Director Award at Cannes, the Oscar-nominated, BAFTA- and Palme d’Or-winning drama Secrets & Lies (1996), the Golden Lion-winning working-class drama Vera Drake (2004), and the Palme d’Or-nominated biopic Mr. Turner (2014). Other well-known films include the comedy-dramas Life Is Sweet (1990) and Career Girls (1997), the Gilbert and Sullivan biographical film Topsy-Turvy (1999) and the bleak working-class drama All or Nothing (2002). He won great success with American audiences with the female led films, Vera Drake (2004) starring Imelda Staunton, Happy-Go-Lucky (2008) with Sally Hawkins, the family drama Another Year (2010), and the historical drama Peterloo (2018).

His aesthetic has been compared to the sensibility of the Japanese director Yasujirō Ozu and the Italian Federico Fellini. Ian Buruma, writing in The New York Review of Books in January 1994, commented: “It is hard to get on a London bus or listen to the people at the next table in a cafeteria without thinking of Mike Leigh. Like other wholly original artists, he has staked out his own territory. Leigh’s London is as distinctive as Fellini’s Rome or Ozu’s Tokyo.

IMDB

Mike Leigh’s Top Ten Favourite Films:  American Madness (Frank Capra, 1932), Barry Lyndon (Stanley Kubrick, 1975), The Emigrants (Jan Troell, 1971), The Hungry Mosquito (Winsor McCay, 1912), I Am Cuba (Mikhail Kalatasov, 1964), Jules et Jim (François Truffaut, 1962), Radio Days (Woody Allen, 1987), Sånger från andra våningen (Roy Andersson, 2000), Tokyo Story (Yasujirō Ozu, 1953)